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You can save up to 65% OFF on over 120 fonts when you take advantage of our Fonts in Action Sale... You can save up to 65% OFF on over 120 fonts
when you take advantage of our Fonts in Action Sale. | | | | Displaying the potential use cases for these fonts brings inspiration for any designer! You can use these fonts for stationery, publication design, fashion, and so much more. Featured today is Publication & Print. Get inspired and keep designing; hurry, these deals are about to end.
Don’t forget to keep an eye out for our branding teams top picks for some of our categories, these fonts are identified with a special category banner.
Our Fonts in Action Sale ends soon, Sale ends May 24th at 11:59 p.m. EDT. | | | | |  |  | | | Many graphic communicators think typography is about fonts. Fonts are clearly important – but there is much more. Good typography invites readership through properly placed headlines and subheads; facilitates content flow with appropriate typeface choice, even typographic color and easy to read columns. It makes a message memorable through clear hierarchy and scanability; and builds brand with consistent typeface choice and arrangement.
The most common typographic errors are those of fashion. Typeface choice, size and arrangement based on what is chic is very often not only out of style, but also inappropriate for the message, situation or reader. In most textual communication, classic typefaces and typographic orchestration are the best choice. It’s why they’re classic. | | | | | |  | | | Metafora Sans is a contemporary display family with multifunctional workhorse designed to work best in any printed and on screen contexts, including logo design, brand identities, websites, packaging, poster and headline. The Typeface comes in 13 weights, with Upright and Oblique each, for a total of 26 styles.
26 styles - 65% OFF | | | | |  | | Brevia™ | Brevia was designed by Hannes von Döhren and published by HVD Fonts.
14 styles - 65% OFF | | | |  | | Clonoid™ | Clonoid was designed by Ryoichi Tsunekawa and published by Dharma Type.
12 styles - 50% OFF | | | |  | | Core Rhino | Core Rhino was designed by Hyun-Seung Lee, Dae-Hoon Hahm, Minjoo Ham and published by S-Core.
14 styles - 60% OFF | | | |  | | Dolce Caffe | Dolce Caffe was designed by Giuseppe Salerno, Paco González and published by Resistenza.
5 styles - 65% OFF | | | |  | | Generic | Generic was designed by Robert Samsonowitz and published by More Etc.
14 styles - 40% OFF | | | |  | | Gravitica | Gravitica was designed by Changki Han and published by Ckhans Fonts.
18 styles - 65% OFF | | | | | | Designed by Cosimo Lorenzo Pancini and Andrea Tartarelli, Kabrio is a sans serif typeface for the lovers of minimal design, and great curves.
Kabrio features four different corner treatments to offer variation in display and logo use: the "alternate" variant features slightly rounded corners, that become even more round in the "soft" variant. "Abarth" features cut corner for a more mechanical, cold look. Each variant comes in seven weights with matching italics, for a grand total of 56 weights to add to your typographic palettes. All Kabrio weights feature an extended character set with accents to cover over forty European languages as well as Russian and Bulgarian Cyrillc.
56 styles - 50% OFF | | | | |  | | Mid Century Sans | Mid Century Sans was designed by Ryoichi Tsunekawa and published by Dharma Type.
16 styles - 50% OFF | | | |  | | Myoungwon | Myoungwon was designed by Myoungwon Suh and published by Designsuh.
12 styles - 50% OFF | | | |  | | Paradise Point | Paradise Point was designed by John Roshell and published by Swell Type.
27 styles - 50% OFF | | | |  | | HD Colton | HD Colton was designed by Daniel Jones and published by HyperDeluxe.
91 styles - 65% OFF | | | | | | Point™ Soft is more than the rounded edges version of Point™, it is a reinterpretation of what a geometric soft font should look like. Clean, simple, and above all: huggable. Point™ Soft conveys that warm and soft feeling. With 20 styles it gives you a lot of versatility (From Hairline to Black), plus it comes with two FREE styles for you to play with before commit yourself to buy it.
It has Extended Latin and Cyrillic support, old style, lining and tabular figures and much more. It has a wide range of use possibilities. Since it is a very readable font in small font sizes and the details really pop out in display sizes. Be it on small or large font sizes, Point will make its point.
22 styles - 65% OFF | | | | | | |  | | | Books, magazines, newsletters, blog posts, product manuals and such – whether they be hardcopy or digital have two basic requirements. The font needs to be inviting and easy to read. Choose the best typefaces to usher readers into the accompanying text copy without distracting from it. These typefaces can either complement or contrast with the text copy. A dramatic change in typeface will create the most emphasis, while the simplest – and most reliable – complementary choice is to use a bold weight of the typeface used in the text copy.
Scroll through the curated selection below and see how our foundry partners have used their fonts for publication! | | | | | |  | | | Rotunda blends the best of three worlds: it’s geometric, humanist and grotesque. But, far from being a tasteless hybrid, it has a strong personality and British undertones that turn it into a stylish and sober classic font face. Thanks to its ample character set and many variables, it stands as a versatile, all-terrain font. Strong and elegant, modern and classic, firm and humanistic. It truly is a 21st Century classic. It includes a very thorough coverage for a wide variety of Latin alphabet-based language families.
18 styles - 50% OFF | | | | |  | | Virtuose | Virtuose was designed by Changki Han and published by Ckhans Fonts.
18 styles - 65% OFF | | | |  | | Milligram | Milligram was designed by Cosimo Pancini, Andrea Tartarelli and published by Zetafonts.
38 styles - 50% OFF | | | |  | | Core Sans NR | Core Sans NR was designed by Hyun-Seung Lee, Dae-Hoon Hahm, Minjoo Ham and published by S-Core.
108 styles - 40% OFF | | | |  | | East | East was designed by Donald Tarallo and published by Tarallo Design.
13 styles - 65% OFF | | | |  | | Keepsmile | Keepsmile was designed by Abdul Malik Wisnu and published by Almarkha Type.
1 style - 60% OFF | | | |  | | Malden Sans | Malden Sans was designed by Michele Patanè and published by Monotype.
26 styles - 65% OFF | | | | | | A typeface of grace, power and exceptional versatility, the Slate collection is a truly beautiful design that achieves stellar levels of readability, both in print and on screen. Created by the award winning type designer Rod McDonald, this six-weight sans serif family is a rare example of sublime aesthetics meeting world-class functionality. The typeface’s legible letterforms embody an amalgam of the best traits of both humanistic and grotesque letterforms.
The Slate collection is available in six weights with complementary italics, with slight changes in structure from the light to the black weights. Its light weight is reminiscent of early American sans.
24 styles - 65% OFF | | | | |  | | Ministry | Ministry was designed by Rian Hughes and published by Device.
14 styles - 40% OFF | | | |  | | Mollie Glaston | Mollie Glaston was designed by Mulkan Nazir and published by Great Studio.
1 style - 45% OFF | | | |  | | Mondo News | Mondo News was designed by Rodrigo López Fuentes and published by Untype.
20 styles - 60% OFF | | | |  | | Polyspring | Polyspring was designed by Erica Jung, Ricardo Marcin and published by PintassilgoPrints.
1 style - 50% OFF | | | |  | | Amrys™ | Amrys was designed by Ben Jones and published by Monotype.
16 styles - 65% OFF | | | |  | | Calling Cards | Calling Cards was designed by Ana Parracho and published by Ana's Fonts.
3 styles - 30% OFF | | | | | | | These fonts are not all our own. We also feature work by other brands, agencies, and foundries that we admire and whose work really stood out over the last twelve and some odd months. Each font shown here represents one of the 10 categories that were a part of the Monotype Type Trends Reports by Charles Nix and Phil Garnham. We are proud to present these trends and see the amazing designs that come from them being used. Be a type trendsetter and purchase one of the fonts below! | | | | | | Cotford is a contemporary serif from Creative Type Director, Tom Foley. Dynamic, adaptable, and surprising—Cotford is a languid serif that ranges from delicate thins, bending and reaching like flower stems, to bold heavy weights that command the page and screen with confidence and vintage charm. And as a variable font, Cotford allows designers to explore and refine the design almost endlessly, unearthing its many visual tones and hidden secrets.
16 styles - 65% OFF | | | | | | | A simple and cool retro, pop art, stylish font for your design. Popstick has a modern, clean and fresh look with nice perfect rounded shapes. This font is best suited for commercial and editorial uses like advertising, apps, sports brand, packaging, logos, headers, corporate identity and much more.
2 styles - 50% OFF | | | | | |
